Ask
Dr. Dan
What are the differences between "Extruded",
"Continuous Cast", and "Cell Cast" acrylic sheets?
That's
a big question and the answer can get very technical. But to avoid
putting everyone to sleep answering it, I'll stick to the primary
differences. The obvious difference is that each is manufactured
according to a different process.
Extruded
Acrylic is manufactured on automated machinery which combines "pellets"
of resin with acrylic monomer and catalyst,
dispenses the mixture through a "die-block", runs it in semi-molten
form through rollers which produce the final thickness, and finish
or texture, and cuts and trims the sheets to their final size. Because
the machinery is very expensive and requires a fair degree of effort
to change rollers and set the die blocks, it is ideally suited for
producing large volumes of commodity materials. A typical extrusion
company may run as much as 40,000 lbs. of material in one color
and thickness before they will begin manufacturing another product.
At that volume, it is becomes the most economical way to produce
a plastic sheet. At least in the United States.
Continuous
Cast materials are also mass-produced, but don't utilize die-blocks
or rollers. Essentially, big vats of Acrylic Monomer and catalyst
are batch mixed and then poured onto highly polished stainless steel
belts about 10'ft wide and 300'long and separated on the top and
bottom by a space equal to the thickness of the material desired.
These belts continuously convey material through a series of cooling
and heating units to regulate the curing of the acrylic and saws
at the end of the line cut the material "on the Fly" to it's final
size. Because of the high cost of polishing these belts and the
capital investment to build a
continuous cast sheet line, the cost of materials is typically higher
than extruded, but because it is again totally automated, still
cheaper in general, than cell-cast acrylic.
Finally,
"Cell cast" sheets are produced by assembling a mold for each individual
sheet, and then pouring the acrylic materials into the mold with
a funnel or other device. These molds, typically made of two large
glass plates separated by a gasket the thickness of the desired
material, are then placed into curing tanks, followed by being placed
in a post-curing oven. The molds are then cooled, disassembled,
and the sheets removed and inspected prior to masking. It is by
far the most labor-intensive method for producing acrylic sheets,
and although the capital investment in equipment is lower than the
previous two technologies, the investment in American laborers is
much greater.
So,
what does it all mean? Well, the different processes produce materials
with different properties, which may effect the end use.
Cell
Cast acrylic is generally considered to have the best optical clarity
of all the materials. It also has greater surface hardness and machines
more cleanly than continuous Cast or Extruded. It comes in many
more colors and thickness' and is easier to get custom colors and
special effects, which is why we've chosen it as our method of manufacturing
Acriglas®. However, it also has the down side of having more thickness
variation than the other methods, which may present difficulties
in applications where thickness tolerance is very important i.e.:
fitting into extrusions, thermoforming applications where walls
must maintain uniform thickness, and assembly of complex structures.
Continuous
Cast is the next best thing for clarity, and it has the benefit
of maintaining uniform thickness as sheets and in thermoformed parts.
It is the material of choice for most Skylight manufacturers. Also
during thermoforming, it does not exhibit the differences in the
amount of shrinkage that extruded materials exhibit. It has the
down side of not being as hard as Cell Cast materials which means
that it may show scratches more readily and does not machine as
cleanly as Cell cast without adjustments to feed rates, bit or blade
geometry's, and technique. Additionally, it is also not offered
in very many colors or thickness', making it somewhat limiting in
design options when compared to cell cast.
But
the industry workhorse would still be extruded sheet. It comes in
a fair selection of colors and sizes, and advancements in extruder
technology have allowed the entry of materials of up to one inch
in thickness, without noticeable die lines in the sheet which in
the past have been a barrier for these material. Extruded sheets
are the most uniform in their thickness and because of the automation
are also the most economical. They satisfy the needs of most acrylic
applications because of the combination of cost and quality. The
down side is that they are also the softest in the acrylic family.
Fabricators complain of "gumming" during fabrication and more awareness
is required to eliminate this as a problem. They also absorb fast
drying solvents faster than cell cast and extruded, so complaints
of joint failures or incomplete glue joints are not uncommon. While
this is easily remedied by working wiser and changes to slightly
slower drying solvents, many fabricators still expect this material
to glue like cast sheets. Finally, this material exhibits the property
of shrinking along the extruded direction and expanding across the
extruded direction which may present difficulties during thermoforming
if the former does not anticipate this in advance.
The
bottom line is, understand what your application requires before
you select a product to use. Not all clear acrylic is created equal
for all applications, and the price should be the last consideration
when planning your project, not the first. Most problems occur when
purchasing people buy a "deal" on clear acrylic without fully understanding
its intended end use. This unfortunately is not the fault of the
Acrylic chosen, just the person choosing it unwisely.
Can you vacuum form Acriglas®?
Why
do I have problems gluing Acriglas®
to my stock acrylic sheet?
Why does acrylic mirror
often have a bow to it?
Why does cast acrylic cost
more than extruded?
Can you vacuum form PETG
with the film masking on?
How do you make Acriglas
®?
Why can't you glue acrylic
sheets of Quarite® or Lucite XL® with solvent?
Can you glue PETG?
Why does cell cast acrylic
vary so much more in its thickness than other acrylic?
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